Dear Colleagues,

I am delighted to let you know about a new Special Issue on “Cultural
Practices and Policies in the Digital and Global Age” published in *Kritika
Kultura <>*(ISSN
[Online]: 1656-152x, ISSN [Print]: 2094-6937), an international
peer-reviewed open access journal published by Department of English School
of Humanities, Ateneo de Manila University.

They provided new insights on cultural policies from economic and business

Please visit articles published in this special issue:

Professor Emeritus Patrick Messerlin and Professor Hwy-Chang Moon

Guest Editors

*Kritika Kultura*, Volume 32: Cultural Practices and Policies in the
Digital and Global Age

Patrick Messerlin and Hwy-Chang Moon, 1-5

Between Technological Advancement and Protectionism: The Bumpy Evolution
from MP3 Players to Smartphones in Korea
<>. Jimmyn
Parc, 6-31

Adapting to Technological Changes in the Music Business: The Case of the
British Music Industry and New Record Formats in the 1950s
<>. Stephen
Ranger, 32-53

Hallyuwood: Korea’s Comparative Advantage in the Global Motion Picture
Industry <>.
Sébastien Miroudot, 54-78

The Next Growth Strategy for Hallyu: A Comparative Analysis of Global
Entertainment Firms
<>. Yeon W.
Lee and Kyuchan Kim, 79-116

A New Model for Globalization in the Film Industry: Lessons from Sino-US
Film Co-productions
<>. Wenyan
Yin, 117-140

Strategy for the Cultural Contents Industry to Secure Competitive Advantage
Using Fourth Industrial Revolution Technology
<>. Jin Sup
Jung and Min Jae Lee, 141-163

Assessing the Impact of Protectionism Upon the Performance of Actors: The
Case of the French and Korean Film Industries
<>. Hee Jun
Kim, Maxime Martigane, and      Jimmyn Parc, 164-182

From Record Contract to Artrepreneur? Musicians’ Self-Management and the
Changing Illusio in the Music Market
<>. Holger
Schwetter, 183-207

Deepening Conditions of Precarity in the Korean Game Industry and
Collaborative Strategies to Overcome Constraints
<>. Sangkyu
Lee, 208-236

Synergistic Co-operations in the Cosmetic Industry: Learning and
Convergence between Firms and Social Media
<>. Yeon W.
Lee, 237-259

The Fandom of *Hallyu,* A Tribe in the Digital Network Era: The Case of
ARMY of BTS <>.
WoongJo Chang and Shin-Eui Park, 260-287

Fan Entrepreneurship: Fandom, Agency, and the Marketing of *Hallyu* in
Israel <>.
Nissim Otmazgin and Irina Lyan, 288-307

Increasing Opportunity and Value in the Cultural Industries: A Comparative
Analysis of the Successful Clusters and Implications for *Hallyu*
<>. Hwy-Chang
Moon, 308-333

The Industrialization of Korea’s Performing Arts and Its Path for
<>. Man-Soo
Cho, 334-352

How Industrial Policies Shaped the Globalization of the Chinese Film
Industry since the 1990s
<>. Xiaolan
Zhou, 353-374

Building Consistent Policies on Subsidies in the Film Industry:
Institutions and Instruments in France and Korea
<>. Patrick
Messerlin, 375-396

Does Copyright Help or Harm Cultural Diversity in the Digital Age?
<> Sean A.
Pager, 397-428

Accumulated and Accumulable Cultures: The Case of Public and Private
Initiatives toward K-Pop
<>. Jimmyn
Parc and Hwy-Chang Moon, 429-452

Japan’s Soft Power and “Grand Fictions” in Global Venues: Japanese Pop
Culture Franchises and Fictionality-based Tactics
<>. Marco
Pellitteri, 453-481

The Evolution of the Concept and Practical Application of Cultural
Diversity in Korea
<>. Sunhee
Park, 482-504

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