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Subject: AEJ 05 LundyL ENT Simply Irresistible: Reality TV Consumption Patterns
From: Elliott Parker <[log in to unmask]>
Reply-To:AEJMC Conference Papers <[log in to unmask]>
Date:Sun, 5 Feb 2006 04:11:54 -0500
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This paper was presented at the Association for Education in Journalism and
Mass Communication in San Antonio, Texas August 2005.
         If you have questions about this paper, please contact the author
directly. If you have questions about the archives, email
rakyat [ at ] eparker.org. For an explanation of the subject line, 
send email to
[log in to unmask] with just the four words, "get help info aejmc," in the
body (drop the "").

(Feb 2006)
Thank you.
Elliott Parker
====================================================================

Simply Irresistible: Reality TV Consumption Patterns

Lisa K. Lundy
Assistant Professor
Louisiana State University
Manship School of Mass Communication
245 Hodges Hall
Louisiana State University
Baton Rouge, LA  70803-7202
225-578-2216
[log in to unmask]

Amanda M. Ruth
Assistant Professor
College of Charleston
Department of Communication
66 George Street
Charleston, SC 29424
(843) 953-5906
[log in to unmask]

Travis D. Park
Assistant Professor
Cornell University
Department of Education
Kennedy Hall, 4th Floor
Ithaca, NY 14853-4203
607-255-2207
[log in to unmask]








Abstract
This purpose of this study was to explore college students' 
consumption patterns in regard to reality television, their rationale 
for watching, their perceptions of the situations portrayed in 
reality television, and the role of social affiliation in their 
consumption of reality television.  The results of focus groups 
indicate that while participants perceive a social stigma associated 
with watching reality television, they continue to watch because of 
the perceived escapism and social affiliation provided.
















Introduction
Extreme sports, celebrity lives, and dating shows.  While the 
phenomenon of reality television (hereafter "RT") lacks clear 
definition (Nabi, Biely, Morgan, & Stitt, 2003), it pervades 
contemporary network and cable programming.  "Reality programming is 
a new, growing trend in both programming and viewership" (Joniak, 
2001, p. 5).  Scholars in psychology and media studies, among others, 
have shown interest in this genre of television and its effects on 
modern culture.  "As a presentation of non-actors in legitimately 
natural settings and situations working without a script, reality TV 
stakes its claim with viewers to regard its depictions as unadorned 
and spontaneous truthful documentation of natural reality" (Bagley, 
2001, p. 1).
RT began to appear as a distinctive genre in the late 1980's (Hill & 
Quin, 2001).  However, the recent increase in popularity of RT alone 
demonstrates the critical attention and investigation that this genre 
deserves in terms of communication research. "Reality television 
holds a unique power in that the images it purports to depict 
accurately, or at least viewers take for granted as true 
significations, affect how our society experiences and reacts to the 
subjects of a text" (Joniak, 2001, p. 68). The assumed realistic 
nature of RT programming is commonly associated with the television 
talk-show genre. Both of these television genres are similar in that 
they "create audiences by breaking cultural rules, by managed shocks, 
by shifting our conceptions of what is acceptable, by transforming 
the bases for cultural judgment, by redefining deviance and 
appropriate reactions to it, by eroding social barriers, inhibitions 
and cultural distinctions" (Abt & Seesholtz, 1994, p.171).
Contradiction surrounds this television phenomenon as "network 
executives say they'd be happy to be rid of it," yet "still it 
mutates across the airwaves like a disease, growing nastier in its 
new forms" (Kronke, 2004, D1). For a phenomenon that blossomed a few 
years ago, reality programming dominates broadcast television 
(Joniak, 2001; Kronke, 2004). According to Hight (2001), most 
assumptions about the psychology of RT viewership are derived from 
textual analyses of reality-based programs, rather than researching 
involving audiences.  Thus, Hight calls for investigations of 
reality-based programming based on the assumption that such programs 
may implicate a network of social, economic and political changes in 
modern society.

Literature Review
According to Pecora (2002),

Reality TV is, for me, the expression of a powerful, and increasingly 
unbridled, tendency within democratic society, one also embedded in 
academic institutions, to reveal the norms and limits of individual 
responsibility and group identity, however exaggerated (and 
commercialized) the settings that reveal such knowledge may be.  In 
effect, television is now doing the kind of social psychological 
research our universities no longer permit (p. 356).

Nabi et al (2003) offer a definition of reality-based television 
programming, which excludes news programs, talk and interview shows, 
and nonfiction narrative programs.  They refer to several 
characteristics of RT, which include: (1) characters are real people 
(not actors), (2) programs are not filmed on a set, but in natural 
living or working environments, (3) programs are not scripted, (4) 
events are unplanned, but evolve from narrative contexts, and (5) the 
primary purpose is viewer entertainment.  In uncovering these 
characteristics, Nabi et al conducted a study of randomly-selected 
city residents to determine their construction of the RT genre.  They 
found that respondents perceived some reality programs as more 
realistic than others.
Following the uses and gratifications perspective that Nabi et al 
(2003) offer, the present study attempts to explore the choice of RT 
and the gratifications sought from RT viewing. In explaining media 
choice and the types of gratifications that result from that choice, 
Lazarsfeld and Stanton (1944) developed the uses and gratifications 
theory. At the core of extensive communication research, uses and 
gratifications theory has been the focus of research on understanding 
audience needs and motives for using mass media.  Uses and 
gratifications theory also aids in understanding audience consumption 
patterns of specific mass media channels. Considered a sub-tradition 
of media effects research (McQuail, 1994), Wimmer and Dominick (1994) 
suggest that uses and gratifications originated with the interest in 
audiences and why they engaged in certain forms of media behavior. 
For example, Katz, Blumler, and Gurevitch (1974) list initial 
research in this area:
•	Lazarsfeld-Stanton collections (1942, 1944, 1949),
•	Herzog (1942) on quiz programs and the gratifications derived from 
listening to soap operas,
•	Suchman (1942) on the motives for getting interest in serious music 
on radio,
•	Wolfe and Fiske (1949) on the development of children's interest in comics,
•	Berelson (1949) on the functions of newspaper reading.

Although uses and gratifications has been used in varying 
communication contexts, Rubin (1986) confers that uses and 
gratifications research is best applied when exploring specific links 
among attitudes, motives, behaviors, and communication effects. In a 
summary of Katz and Blumler's contribution to this theory, Lin (1996) 
suggests that
the strength of this theory is its ability to allow researchers to 
study mediated communication situations via a single or multiple sets 
of psychological needs, psychological motives, communication 
channels, communications content, and psychological gratifications 
within a particular or cross-cultural context (p.574).

	Katz et al (1974) describe uses and gratifications as having three 
main objectives: 1) to explain how people use media to gratify their 
needs, 2) to understand motives for media behaviors, and 3) to 
identify functions or consequences that follow from needs, motives, 
and behavior. As a major communication theory, uses and 
gratifications is based on five basic assumptions (Katz et al, 1974; 
Rosengren, 1974; Palmgreen, 1984; Palmgreen, Wenner, & Rosengren, 
1985; Rubin, 1986):
•	Behavior is purposive, goal directed and motivated.
•	People select and use media to satisfy biological, psychological, 
and social needs.
•	Individuals are influenced by various social and psychological 
factors when selecting media.
•	Media consumers are aware of their needs and whether they are being 
satisfied by a given media option.
•	Different media compete for attention, selection and use.
With these assumptions in mind, the purpose of this qualitative study 
was to explore college students' consumption of RT. This study was 
guided by the following research questions:
RQ1: What are the consumption patterns of college students in regard 
to reality television?
RQ2: What rationale do college students provide for watching reality 
television?
RQ3: How do college students perceive the situations portrayed in 
reality television?
RQ4: What role does social affiliation play in consumption of reality 
television for college students?

Method
Due to the limited literature regarding consumption of RT, a 
qualitative research design was most appropriate for exploring the 
research questions posed at the outset of this study. Focus groups 
were used as the method of data collection for this exploratory, 
qualitative study, allowing for in-depth exploration into the 
phenomenon.  Focus groups allow for rich and enlightening exchanges 
between participants, where ideas can build upon one another. Through 
the interactions of RT viewers, the researchers sought to explore and 
understand consumption patterns for young adults of RT.
Four focus groups were conducted, with each group ranging between six 
and 12 undergraduate participants. Focus group participants were 
recruited from a large, undergraduate, core-curriculum course offered 
at a southern university. College students were selected because they 
represent one of the most targeted viewing audiences of RT 
programming (Carter, 2000).
Focus groups were conducted over a four-month time period from March 
2004 through July 2004. Four focus groups were chosen based on 
Morgan's (1997) suggestion that three to five focus groups suffice 
for a research project because more groups seldom provide meaningful 
new insights. The size of each focus group, six to twelve students, 
was chosen based on the characteristics of the population under 
study.  It was the assumption of the researchers that a smaller focus 
group would be more manageable in terms of response and the feeling 
of confidentiality for the college student participants. The focus 
groups were conducted in a classroom environment due to its 
convenience and familiarity for participants.
Prior to the start of the focus group, participants were asked to 
complete a short survey including several demographic questions as 
well as basic questions about their television viewing 
behaviors.  Once the informed consent process and a short explanation 
of the study's procedures and purpose were reviewed, the focus group 
discussion began with the participants introducing themselves by 
sharing their name, major, hometown, and favorite television show. A 
question guide was then used to facilitate participants' responses to 
questions regarding their opinions, perceptions, and behaviors toward 
RT programming.  A moderator opened and guided the group discussion.
The focus groups were recorded using both audio and videotape, which 
complimented the observations and field notes recorded by the 
research team during the focus group discussions.  The audio- and 
videotapes were transcribed; transcripts were compared with field 
notes, and analyzed using the inductive data analysis method outlined 
by Hatch (2002). Following analytic methods similar to other 
important inductive models (e.g., Glaser & Strauss, 1967; Spradley, 
1979; Miles & Huberman, 1994), the model of analysis used in this 
study searches for "patterns of meaning in data so that general 
statements about phenomena under investigation can be made" (Hatch, p. 161).
The inductive analysis methods utilized followed the subsequent 
steps: 1) read data and identify frames of analysis, 2) create 
domains based on semantic relationships discovered within frames of 
analysis, 3) identify salient domains and assign them a code, 4) 
refine salient domains and keep record of emerging relationships, 5) 
decide if domains are supported by data, 6) complete analysis within 
domains, 7) search for themes across domains, 8) outline 
relationships within and among domains, and 9) select data excerpts 
to support the relationships (Hatch, 2002). The three researchers 
analyzed the data following the inductive analysis procedures 
outlined above. Following the analysis, the research team discussed 
emerging themes and supporting elements and identified the dominant 
themes that characterized the data.
Results

	The purpose of this qualitative study was to explore college 
students' consumption of RT. From the four focus groups conducted, 
data was gathered from 20 females and 14 males, totaling 34 
participants. Results from a preliminary participant survey indicated 
that participants watch anywhere from three to 30 hours of television 
per week, with the average being 11.5 hours. The majority of 
participants, 76.4% (n=26), indicated that they watch a RT program on 
a regular basis (at least two to three times a week).
Through the preliminary participant survey administered to the 
students preceding the focus group discussion, students provided 
their responses to basic open-ended questions regarding RT. First, 
participants were asked to provide their own definition of RT and 
through a comparative analysis of the provided definitions, 
participants' confusion over the nature of RT emerged. Participants 
provided diverse definitions of RT.  Although varying, most 
definitions included characteristics like "unscripted," "everyday 
people," "non-actors," "portraying some aspect of real life," "real 
people in front of cameras," and "real life yet edited situations."
	
RQ1: What are the consumption patterns of college students in regard 
to reality television?
  "Oh no…I don't really watch reality television"
The first theme that emerged from the data was the underestimation of 
RT viewing. Initially, participants denied watching much RT; in fact, 
RT was rarely mentioned when participants were asked to describe the 
type of television shows that they typically watched. Instead, shows 
that were typically mentioned included adult and teenage drama, 
sports broadcasting, comedy sitcoms, and news shows.  However, over 
the course of the focus group discussions, it was evident that 
participants watched (or were at least familiar with) more RT shows 
than first indicated. Despite the fact that participants from each 
focus group listed only half a dozen reality shows at the beginning 
of the focus groups, at least 25 different RT shows were discussed 
throughout the focus groups as shows that were watched on a regular 
basis. One participant realized this phenomenon in saying, "I didn't 
think I watched this much or knew this much about reality television 
but apparently I was wrong."  The RT shows that were most commonly 
discussed included The Bachelor, The Bachelorette, American Idol, The 
Real World, Trading Spaces, The Swan, Survivor, Joe Millionaire, 
Average Joe, Extreme Make-Over, The Simple Life, and American 
Chopper.  There were several occasions in which a specific RT show 
was not mentioned as being watched; however, when it was referred to 
in conversation, the majority of the participants were familiar 
enough with the show to partake in the discussion.

RQ2: What rationale do college students provide for watching reality 
television?
"It's like a great escape": Escapism and living vicariously through others
Escapism emerged from the data as an escape from reality for 
participants.  Participants felt that RT offered the viewer a 
"glimpse" into another world, which for a moment could take the 
viewer away from their own reality.  One participant suggested,
I think because it is an escape from the reality of like the war and 
a lot of economic problems and like political problems. I mean you 
have the option of watching reality television, which although it can 
be extreme, it is amusing, as opposed to watching the news about 
Martha Stewart, Michael Jackson, Kobe Bryant or even the war. 
Basically something that is depressing as opposed to something, while 
ridiculous, is entertaining and an escape from some of the negative 
reality that people deal with day in and day out.

	This theme of escapism also emerged in discussion of viewers living 
vicariously through reality shows.  One participant mentioned, "You 
can see yourself in the show," while another said, "I mean you put 
yourself in their situation and you're watching and you think, 'Oh 
what would I do? Would I eat that? Would I eat whatever they are 
eating or do whatever they are doing?'" Eloquently stated, one 
participant divulged what they believed to be the secret of RT by 
saying, "I don't think it is real life but that is the point. Real 
life is boring and you watch reality show to live vicariously through 
others." As one participant said,
reality television is reality television because as a viewer you can 
see yourself in that situation or you can say to yourself, if I was 
on that show this is what I would do. It is reality 'cause you can 
see yourself in it.

Clearly, for most participants, RT provided an escape from reality, 
"a break from the depressing stuff." It seemed as though in this 
situation most participants projected their lives onto the characters 
of the shows, trying to determine what better decisions could have 
been made and what they would have done differently.
"It's like a train wreck, I just can't turn away"
For most participants, disparity existed between perceptions of RT 
and consumption of RT.  One participant best described this 
phenomenon by saying, "it is like watching a train wreck—horrible, 
but [you] can't turn away."  While Nabi et al (2003) hesitated to 
characterize viewers as voyeuristic, they stopped short of 
generalizing reality viewers as innocent.  Although listing many 
reasons for watching RT, participants most commonly shared that they 
watched because they were bored, it was humorous and entertaining, 
they liked to see other people fail, or the shock factor made them 
tune in every week. Further reasons participants provided were that 
they watched RT because "it doesn't require full attention," or "it 
is something that you do not have to watch every week to understand 
what is going on."
Candid responses from participants conveyed the voyeuristic quality 
of RT. For example, one participant admitted, "It is just plain 
funny. It's pure entertainment and it may not be real but it is 
funny." Confirming this quality, another participant echoed, "If the 
show has like 20 ridiculously hot girls who are all used to being 
pampered and are put outside in some extraordinary situation where 
they have to like shovel manure or something like that, it really 
amuses me." Aside from the pure entertainment factor of reality 
television, participants also mentioned that they, or their friends, 
had become addicted to RT. One participant's response was, "I heard 
so much about it that I had to see what it was about. Now I am 
hooked." While another participant said, "It makes you want to turn 
it on week after week. I don't know, maybe because you want to see 
who wins or who gets picked. It just has an addictive quality." Some 
participants even remarked that RT feels like a "cliffhanger" making 
it nearly impossible to prematurely abandon the show.

RQ3: How do college students perceive the situations portrayed in 
reality television?
"It's definitely the good, bad, and the ugly of TV": Good vs. Bad Reality TV
When discussing opinions toward RT, participants described certain 
elements of RT shows.  From these descriptions,  "good" RT 
materialized as:  beneficial because they gave the viewer useful 
ideas or advice, giving people a second chance, entertaining, funny, 
and being able to apply things to your actual life.  Good reality 
shows were commonly associated with home or personal appearance 
improvement, like The Learning Channel's Trading Spaces and Baby 
Story.  From the participants' perspective, these shows provide a 
"happy" and "uplifting" perspective of reality. As one participant 
mentioned, these shows "make you feel good and they attempt to 
educate the viewers about something, often a skill."  Other aspects 
of "good" RT included shows that improve participant's appearances or 
self-esteem, shows that are funny and entertaining without a personal 
expense to participants, and shows that give the viewer a positive 
glimpse into the lives of others.
	Conversely, "bad" RT was commonly linked to concepts of immorality. 
Bad RT, though indicated as entertaining at times, included 
television shows that were based on deception, ridicule, contempt, 
and physical or emotional harm.  According to the participants, RT 
has "gone too far" with regard to the conceptual foundation of some 
of the shows.  One participant corroborated this stance toward RT by 
saying that "too much humiliation exists for 
participants."  Characterizations of "bad" RT included: 
"unrealistic", "just plain mean", "misrepresentation of reality", 
"obvious attempts to spur controversy", "ridiculous situations", 
"manipulated and exaggerated", and "driven by the shock value". Shows 
that were cited as "bad" RT typically included Married by America, I 
Married a Millionaire, Married a Midget, My Big Fat Obnoxious Fiancé, 
and several other dating shows. One participant described "bad" RT by 
saying, "At first it was kind of a cool concept but now it is beyond 
the point of entertaining. It has really gone downhill."
	This classification between "good" and "bad" RT appeared ambiguous 
because participants disagreed on some of the "good" and "bad" 
characterizing traits.  Nonetheless, it was noticeable that each 
participant had his/her own established notions of good versus bad RT 
and that each made their viewing decisions based on these notions.
"It's Morally Corrupt": Concerns over portrayal of ideals
The deception and lack of morals was a common concern expressed by 
participants.  Even though one participant indicated that RT is "not 
going to affect my morals," the data collected revealed that 
participants believed there were moral implications of RT when 
judging its collective impact on society. Many participants 
characterized RT programming as "morally corrupt." One participant 
said, "I mean I think a lot of television has gone downhill, like the 
morals of it. There is just not much left of it anymore."
Additionally, most participants were concerned at the concept behind 
most RT shows, citing them as "wrong," and "corrupt." Describing this 
moral corruption in association with money, one participant said,
It all happens when you put money at the end of the road. People lose 
track of what is important and like their morals go out the window 
and that is when I have a problem with the reality issue; when people 
start doing things they normally wouldn't do in order to win.

Confirming the negative impact money has on the morals of reality 
show participants, a participant echoed, "I think reality television 
teaches lying and deceit…Like instead of wishing goodwill and 
friendly competition, everybody lies and deceived just to get rid of 
somebody and win the money, which is wrong." Yet another participant 
noted that RT communicates to younger audiences, "that immoral and 
unethical actions are OK," and thus even older viewers may think 
that, "dating 20 different guys and having sex with several of them 
is OK; that there are no consequences with actions like this."
As a result of the "moral corruption" demonstrated through RT 
programming, many participants were concerned about the impact the 
popularity of this television genre will eventually have on 
society.  Representing the majority view, one participant conferred, 
"I really believe what goes in comes out and if you are constantly 
watching trash you are going to get trash out…" While most 
participants agreed that they believed RT can have a negative impact 
on viewers' behaviors, another interesting finding from one of the 
focus groups was that RT was more of a "reflection of society than an 
influence on society," implying that maybe RT was only exemplifying 
our "morally corrupt" world.
"The real truth and nothing but the truth, I don't think so"
Throughout the focus group discussions, participants frequently 
referred to the "truth" of RT. One of the largest discrepancies in 
participant opinions was the realism of specific RT shows. 
Participants shared their strong opinions toward the realistic nature 
of RT by referring to it as "drawing the line," which insinuated 
distorting the premise of RT.  Basically, most of the participants 
indicated that many of the shows do not reflect reality 
anymore.  Specific to the reality dating shows, one participant 
observed that it is "not realistic to find love with 50 people around 
you." Feelings also were that many of the shows have gone "overboard" 
in order to attract viewers. One participant communicated, "at first 
it was kind of cool but now it is beyond the point of entertaining, 
it is sickening what they will call reality television just to 
increase ratings." Resonating with another participant, one response 
was, "Because the networks are making so much money on this genre, 
they are willing to go as far as they can." Overall, participants 
believed that RT is set-up to make people "believe that these things 
on the reality shows can actually happen." Manifest in the data was 
the opinion that the shows and characters become exaggerated over 
time, to the point that "characters are reacting to unreal situations."
Coupled with this exaggeration or "drawing the line" quality of RT, 
the discussions also focused on the accurate portrayal of reality due 
to the excessive amounts of editing that was believed to occur in the 
development of the shows. Respondents in Nabi et al's (2003) study 
voiced similar frustrations.  Several participants mentioned watching 
television programs that provided behind-the-scenes views of the RT 
show production. Participants indicated that these behind-the-scenes 
shows provided proof to the large amount of editing that takes place 
during the final production phases for a RT show.  A common belief 
was that the shows producers, "don't show everything," but rather 
only what they want the audience to see. In addition to the editing 
process, many participants believed RT was "staged," "contrived," 
"exaggerated," and "fake." One participant summarized the realism 
debate in saying,
I think it has always been staged because I mean, who do you know 
that would get up in front of a TV and really act as if they would 
not being in front of a camera, comfortable. I think it has always 
been fake to a point but we are now beginning to notice it more cause 
there are so many television stations and so many reality shows out 
there to watch.

As such, it can be assumed that, for these focus group participants, 
RT does not represent reality. Overall, RT was perceived as a 
"misrepresentation of reality" in which participants suspected was 
becoming more scripted and contrived in an effort to boost ratings 
and derive profit for the producers and networks.

RQ4: What role does social affiliation play in consumption of reality 
television for college students?
"Social"ity TV: Social Affiliation
This social connection that RT provided for participants was 
indicated in several different ways, including the way in which 
participants watch RT shows, the conversations that result from RT 
viewing, and the involvement that participants experience while watching RT.
Participants rarely watched RT alone. Participants revealed that they 
watch RT programming in groups, with roommates, friends, and 
family.  It is important to note that many of the participants called 
watching RT "our time" alluding to the scheduled time every week that 
siblings or groups of friends spend together.  Most of the 
participants indicated this social component as a rationale for 
watching RT. One participant exemplified this theme saying, "The 
reason I like it [reality television] is for the social value." 
Another participant described their viewing behavior saying, "When 
there are like more people, you get more excited. You just feed off 
the tension and the anticipation together." Several participants even 
referred to watching the same reality show every week with friends as 
a "routine"; conveyed by one participant, "I have friends that will 
get together to watch Real World like every week." This routine was 
echoed by another participant,
I mainly watch with my roommates, I mean it is just a time when we 
all get together and kind of watch a show that is funny to watch 
because people can make fools of the characters on the show. And then 
we can kind of relate to it and discuss it from there.

The social connections provided by RT also include the conversations 
that RT motivates between viewers.  One participant mentioned the 
social value of RT in that it is not age-specific, allowing the topic 
of RT to establish common ground between any two people in a 
conversation. For example, one participant described their behavior by saying,
When I meet people I am like, "Hey, do you watch reality TV?" 'cause 
pretty much everyone has at least one show that they can relate to or 
they know something about. It is always a good common ground when you 
are talking a person for the first or second time.

Another participant mentioned watching RT in order to feel familiar 
with what others were talking about and to be able to participate in 
the conversation. The feeling of being left out in a RT conversation 
was mentioned by one participant; "Some of my friends would sit and 
talk to each other about certain reality characters and I would just 
sit there like I have no idea what was going on, like they talk about 
these people like they know them or something."  Most participants 
referred to these conversations about RT as "shallow," "just in 
passing, or "nothing in-depth"; however, all participants indicated 
at least having one discussion about "a memorable episode," the 
"stupidity of the characters," or "what was going to happen next 
week" on the show.
While most participants admitted to discussing RT on a regular basis, 
they also insinuated an element of shame associated with such 
conversations.  One participant said,
I feel really stupid, I mean I am in college I should be smarter than 
that. I mean, I am 20 and I know I have a lot to learn but I usually 
like talking about something a little more intellectual than 
something like that.

In agreement, another participant said, "It makes me feel kind of 
silly, to actually be discussing reality television."
	Respondents also referred to their involvement and interaction with 
the characters of reality shows and the show themselves.  Several 
participants indicated that being able to make decisions affecting 
the show's outcome, like voting, gives the viewer a connection, a 
feeling of belongingness and importance to the show.  Additionally, 
participants indicated that the "real" context of some reality shows 
makes it possible for them to participate and get involved with the 
characters and situations on the show. For example, one participant conferred,
I don't personally have time to vote. Although I did talk to my 
cousin and they were so hooked on American Idol that they voted every 
night. She was talking about how she got on the land phone, her Mom 
got on the cell phone, and her brother got on another cell phone and 
they all called like three or four times…I mean they were that into it.

Another participant summarized this sub-theme by saying, "I voted on 
Nashville Star once. So yeah, I think the interactivity of it 
[reality television] gives people a connection to the show, they are 
more involved because they have some kind of say with its' outcome."

Discussion
	College students' consumption of RT appears to be a complex 
phenomenon, which offers many opportunities for further study.  In 
this exploratory study, focus-group participants progressed from 
initial denial, or underestimation, of RT consumption to the shocking 
realization of the actual amount of RT they consume.  While reticent 
to characterize themselves as RT viewers, participants appeared to be 
watching a great deal of RT.  Throughout the focus groups the modesty 
over RT consumption appeared to be caused by the social stigma that 
surrounds RT. For example, participants seemed hesitant as well as 
embarrassed when they revealed the amount of RT that they consumed; 
their reactions coupled with their responses insinuated that it is 
bad to enjoy watching RT.
The researchers believe one of three possible explanations for the 
underestimation of RT viewing. First, it is plausible that the 
participants did not realize that the shows they watch are considered 
RT; for example, there was an in-depth discussion in two of the focus 
groups as to whether certain shows were "reality television shows." 
Second, it is possible that participants were embarrassed or hesitant 
in disclosing the actual amount of RT that they watch in the 
beginning of the focus group because of the social stigma associated 
with RT. Finally, another possible explanation is students simply 
forgot or had a hard time recalling all the RT shows that they 
watched throughout the year, implying that they did not omit the 
information on purpose.
Regarding their rationale for watching RT, participants referred to 
the "great escape" provided by RT.  They felt that RT offered an 
opportunity to sample other lifestyles and realities than their 
own.  Participants discussed living vicariously through the 
characters in reality programs.   For these college students, RT 
seemed to offer an opportunity for them to contemplate and discuss 
how they would respond or behave in the situations portrayed in the 
programs.  Many of the situations characters face in reality programs 
– dating, family issues, racial tension, moral decisions – are 
particularly relevant for college students.  More research should be 
done to see how the decisions or actions of RT characters are 
impacting the decisions or actions of their viewers.
	Another rationale given by participants for watching RT is their 
perception of the discrete nature of each episode.  Participants felt 
they could watch a given episode at their convenience and 
out-of-sequence.  They also felt watching RT did not require their 
full attention, unlike scripted television dramas where they fall 
behind if they miss an episode; therefore, the RT genre seems to fit 
well with the changing schedules and active lifestyles of college students.
	Focus-group participants articulated several perceived types of 
RT.  They characterized "good" RT as giving viewers useful ideas or 
advice, giving characters a second chance, and providing 
entertainment or humor.  They also included, in "good" RT, shows that 
improve participant's appearances or self-esteem, shows that are 
funny and entertaining without a personal expense to participants, 
and shows that give the viewer a positive glimpse into the lives of 
others. In contrast, participants characterized "bad" RT as shows 
based on deception, ridicule, contempt, and physical or emotional 
harm.  While participants disagreed on some of the "good" and "bad" 
characterizing traits, it was clear that each participant had his/her 
own established notions of "good" versus "bad" RT and that these 
perceptions influenced their viewing decisions.  Participants also 
expressed concern regarding morality in RT.  They expressed a shared 
sentiment that RT's collective moral impact on society was negative.
	The college students in this study do not watch RT alone.  Social 
affiliation appears to play a significant role in RT viewing for the 
participants in this study.  Participants watch RT with their 
roommates, friends, and family members.  Television is sometimes 
criticized for breaking down social connections where people watch 
television rather than spend time developing interpersonal 
relationships (McKenna and Bargh, 2000).  Reality television, for the 
college students in this study, seemed to have the opposite 
influence.  RT appeared to bring students together, not only for 
watching the shows, but in conversations resulting from RT 
viewing.  In fact, participants even acknowledged watching RT shows 
they do not particularly enjoy because of the social affiliation of 
RT viewership.  They do not want to be "left out" of conversations about RT.
Participants discussed the realism of RT. Overall, they did not 
perceive RT as real.  They felt that RT shows go overboard in order 
to maintain ratings.  They were also skeptical of the editing process 
in RT.  However, participants did seem to associate their feelings 
about the realism of RT to their consumption patterns.
Throughout the focus groups, the third person effect was observed in 
participant responses. For example, in describing the effect RT may 
have on behaviors as well as in explaining the popularity of RT, 
participants commonly exemplified the "I don't watch but I know 
someone who does" syndrome. This provides an area of interesting 
future inquiry.
Overall, the findings from this study indicate that RT is and will 
continue to be a significant part of the young adult television 
appetite. Although students are generally confused about what 
constitutes RT programming, they are absolute in their opinions and 
perceptions toward this growing genre of television. Due to the 
amount of RT consumption by these viewers, there are implications for 
advertising and product placement, sitcoms and traditional television 
programming, implications for extreme RT consumption on morals and 
behaviors, especially among younger viewers.
Using this study as the foundation, future research on college 
students' and RT programming should investigate its influence on 
decision making, perceptions of reality, reactions toward specific 
programs and program content, exploration of good versus bad RT and 
association with viewing behaviors, exploration of the third person 
effect in RT viewers, and comparison of perceptions toward RT of high 
vs. low consumption/viewers.

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